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글로벌KOREAN
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KH

KH Gothic was able to intuitively recognize the letters quickly by developing the initials, and tried to give the impression of aligning the center of the letters upward. In addition, modernity reinterprets the ratio of initial consonant, vowel and final consonant to maximize the beauty of Korean fonts.

Client Kyunghyang Shinmun
Date 2012
Designer Du-yeol GWAK